摘要
在声乐教学中，男高音的训练重点应放在真假声结合上，从歌唱的实践和声乐的发展状况来看，真声，假声，真假声结合3种发声方法中真假声结合的发声音乐方法是解决男高音声部高音难的有效方法。较之纯真声或单1的假声歌唱发声要优越得多，便利得多。真假声能否结合得自然平稳，运用得自如恰当，是决定男高音能否获得完美声音的关键。
关键词：男高音；真假声结合；训练
ABSTRACT
In the teaching of vocal music, the stress of the practice of alto should be laid on the combination of original voice with falsetto. There are three methods of voice production in the singing practice and the development of vocal music, original voice, falsetto and the combination of the first two. The third method can easily produce more beautiful voice than both pure original voice and single falsetto. The natural and smooth combination of original voice with falsetto and its flexible use decide the key of the alto who can reach his perfect voice state.
Key words：Tenor; combination of original voice with falsetto; train
目 录
摘要 I
Abstract II
引言 1
1、真假声结合的历史价值 1
1. 欧洲的情形 1
2. 中国的.情形 2
2、真假声结合的科学价值 2
1. 如何辨别真假声 2
2. 各种发声法中的真假声运用 3
3、如何进行真假声结合训练 4
1. 肌肉运动原理 4
2. 神经调节原理 5
3. 真假声结合发声法是男高音训练中的最佳方法 5
4. 真假声结合训练的3步骤 5
总结 7
注释 8
参考文献 8
致谢 9
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